This is tricky. There is no sound studio at the theatre, although they lend me a good portable mic and cables. I wander round the mezzanine levels in my lunch hour, doing sound checks. The first pickups I have to do are of a wounded viking bandaging himself, which is why I can be found crouching in corners near the lifts, hunched over the mic and moaning softly.
Very well heated, the theatre. Lots of air conditioning. Plenty of odd whirrs and bonks from the pipes. Lots of strange clunking noises from the tech team building or dismantling sets. Occasional sounds of actors warming up, as of distant whalesong. The mic is excellent, it can pick all of this up no bother.
After several failed attempts, the swedish studios send me advice. I need to pad the walls in whatever room I'm recording in. Use a blanket or mattress, they suggest. Get a sound shield for the mic so your plosives are muffled. Improvise. We need this material, urgently.
Improv I can do. I gather extra supplies from the theatre and get to work.
The theatre is too loud, my new digs are quiet but very echoey (tall ceilings and plaster walls are a bad combo acoustically, it seems). The smallest room in the house is, well, it's the smallest room in the house, if you get me.
Which is why 2200 hrs most nights this last week have found me sealing myself into the toilet by jamming my duvet into the door cracks, then balancing the mic amongst the shelved books no English toilet should be without. If I jam a bunch of loo roll into the cistern to stop it dripping, then squat on the lav and read into the mic through a coat hanger with a pair of old nylons stretched over it, the sound quality is apparently 'quite good'. At least this is now a pharmaceutical manual, I'm not lurking in the water closet and screaming like a stuck saxon. Not for work, anyway.
Another day, another dollar.
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Meanwhile, at home, F has learnt to crawl.
She doesn't quite pick her feet up, so as she goes forward, her babygro sort of stays put. And she runs out of steam quite fast, but where she used to immediately lie face down and scream for assistance, she now has a short rest, musters her energy and starts again. Two or three times, anyway, then she feels she's made the effort and someone ought to come and help her out. A trainer, maybe, do some stretching.
I get to skype fairly often, confusing conversations where I'm placed on the floor via iPad and then picked up and shaken cheerfully. Or replaced with Facebook, F has worked out how to do that somehow.
But it's not the same as being home, not even close. And I can't help but feel that she's more interested in the iPad than the daddy inside it, although she does coo and wave at me for the first couple of minutes of our chats.
V is coping amazingly, despite work/babysitting timetable clashes and woes. I've been so busy I haven't had much time to get maudlin, although the rest of the cast have kindly stopped asking me if I'm missing my family. Apparently I tend to smile wanly and then gaze into the middle distance with a mournful expression for the next ten minutes. It holds up rehearsals.
Thousands of people every day work away from their families. It can be done. It is not the end of the world. If it's not too thespy to hurl some Samuel Beckett around, I'm very much at the 'I must go on, I can't go on, I'll go on' stage of this trip. Krappy, in other words.